“Pimple,” I tell her a bit shyly—my skin seems to be going through puberty these days, and it’s the third time a Nepali person has commented on this. “You pimple, me no pimple,” she points out cheerfully. She repeats the word all through lunch, and it becomes another ani-haru favorite.
A line in Peter Mattiessen’s The Snow Leopard catches me: “It is difficult to adjust because I do not know who is adjusting; I am no longer that old person and not yet this new.” I try to find time to read, to write, to do my own practice: but the ani-haru work so hard at cooking and cleaning that I like to help at least for a while each day, and then the time flies. And the truth is I prefer cutting vegetables, and hoeing the garden, and hauling water, to sitting in front of a computer for hours at a time. I like this life, I like the simplicity and the rawness of it. But once I do sit down alone (escaping to the rooftop often, like today) then I fall in love with writing all over again, and long for three or four uninterrupted days, and a printer, and I want to spread things out and cut them up and rewrite them and scribble on them. I miss my friends from Naropa University in Boulder, their sharp minds: arguing cheerfully over some point of interpretation, comparing responses, speaking a language of our own, all of us knowing immediately what others are trying to convey in their writing and helping

This trip is turning into more than I ever expected; at first it was very simple: go to Nepal for 6 months, teach Tibetan Buddhist nuns English—now I see that was only the vessel to get me here. The ani-haru have changed me, of course, made an impact—I'm glad they were the vessel and not something else—but Nepal is a place I would have ended up sooner or later. I'm grateful it was now; I'm grateful I have the rest of my life to explore this labyrinth.
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